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Slow travellers

by Niño Crudo

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1.
Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. But still, like dust, I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. As still, like dust, I'll rise. Just like moons and just like suns, counting on the certainty of tides, Just like hopes springing high, I'll still rise. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. And still, like dust, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs But still, like dust, I'll rise. Just like moons and just like suns, counting With the certainty of tides, Just like hopes springing high, I'll still rise.
2.
Set, sun! Tender touch (We call it love, we try our luck) We make it out alive By chapter five I’m a Capricone disaster I’m a Capricorn, You’re a Cancer Let’s meet in the middle To finish it faster I’m just a Chilean mining disaster baby boy Tell me if you can’t drive straight like an aeroplane and I’ll freeze your brain with mine I’ll freeze it til the end of time The more we spend Is like the less we save Is like breathing and romance also work the same way I’m no savior, God knows, but I’m learning how to save Picture this: it’s a love long gone You’re a frail old girl with a past-tense romance love-sick song It’s all that stays strong Tell me if you can’t drive straight Like an aeroplane And I’ll cross your veins with mine Pull you out alive
3.
Si es casi una palabra, es la palabra. Si casi una emoción, es la emoción. Si casi lo intuías, ya lo sabes. Ya casi adivinaste su color. Casi está cerca de todo, por definición. Si casi que hay un plan, ya tienes planes. Si buscas, casi siempre encontrarás Uniendo lo sencillo y lo complejo, Es la frontera de la realidad. Casi siempre, casi todo, casi más. Casi siempre, casi todo, casi más. Almost is close to all Almost is close to all Si ya casi está afinada la guitarra Y si casi hace bailar esta canción, Yo doy el paso que me lleva a casi. Ya estoy allí, ya tengo lo mejor. Casi está cerca de todo, por definición. Yo supe que era amor desde el principio, Y casi nos liamos en un fin. Hay cosas que se saben improbables Y encuentran la manera de existir. Nada es casi, casi es todo para mí. Nada es casi, casi es todo para mí. Almost is close to all Almost is close to all
4.
“Tu non puoi immaginare che cosa si prova. È una cosa orribile. Non sai più quello che devi fare... Sono cambiata, vero? Sono... molto cambiata ” (Monica Vitti) E nel blu del cielo vedrò Nero che Non so se di demone, oh no! O di rondine. Se la fine scende così Nell'azzurro dei fantasmi d'agosto Non avrò Che da aspettarla qui. Fra le spoglie della felicità Che mi hai dato con grazia antica Io resto qui, nel blu. Se io spreco estati così, Fantasie, tramontana e zefiro Fra noi, carte nautiche. E perché anche senza di te So gustare felicità da solo, Il mare che non ho Non mi manca più. Se l'istante che vedrò arrivare qui Fosse l'ultimo che mi è concesso Lo vivrò così, nel blu.
5.
“Je suis comme les trapézistes du Cirque d'Hiver. On n'est pas là pour montrer qu'on est on train de transpirer pendant des heures. On est là pour montrer que c'est facile” (Michel Polnareff)
6.
Jue'n la joya las Torbiscas una siesta, cuando'l sol achicharraba; una sieta qu'entumía los sentíos el bochorno de la calda; sin arrullos de las tórtolas ni continos sonsonetes de chicharras, sin triníos de cogutas y sin roncos gurrapeos de las ranas; una siesta pa dormirla baj'un chopo, paz'arriba, junt'al agua. Tan siquiera los oídos barruntaban, con la zumba de los negros moscardones y las negras telarañas, chorrear los goterones derretíos de la pringue de las jaras. En un claro de la joya las Torbiscas está Blas, el de la Juana, mesmamente, de cuclillas, currucao al sombrajo d'unas matas, con la boca muy abierta y los ojos encendíos como brasas. Junt'al Blas están, cansinos y moörros, los borregos que le jorman la piara, y a la vera los borregos, dos mastines con dos bocas que se páecen a dos fraguas por su recio resoplá como los fuelles y sus lenguas colorás como las llamas. Blas recorta con cuidao los canutos d'una caña, porque Blas quiere jacé con los canutos una flauta, pa de noche, con la luna, dir a dá su serenata junt'al chozo donde duerme Rosarillo, la zagala; una moza con los ojos más oscuros qu'una noche de borrasca, más alegre que la risa d'un regacho d'agua clara y más güena que la Virgen de las Cruces, la patrona de las Fiestas de la Raza.
7.
I miss my days in Badajoz Every time I spot a stork It might have arrived today All the way from Scaredogs Souls flee to give out songs I also like to fly A city is not just a city A city is a state of mind You can be part of Badajoz From near, from far, or both Just like Guadiana’s eyes Things look different from outside Souls flee to give out songs I also like to fly A city is not just a city A city is a state of mind A city is not just a city A city is a state of mind
8.
Ha llegado el Circo Internacional Nos instalaremos en la capital Usaremos vuestros palacios Son altos y espacio- -sos para saltar y bailar Como todo circo, una y otra vez, Todo suena a nuevo, pero huele a ayer. Solemos jurar lo imposible Y hacerlo creíble Vénganos a ver. Nos reconocerán por dos leones Hacen mimo con sendos balones A las puertas de nuestro teatro Hay una función de diez a cuatro Nuestro circo tiene tres pistas Más de cuatrocientos artistas Con separación de carteles Perversos y crueles ¡Payasos, faquires! ¡Domadores, trapecistas! ¡Tragasables, ilusionistas, escupefuegos, lanzadores de navajas traperas y la mujer bala! Nos reconocerán por dos leones Hacen mimo con sendos balones A las puertas de nuestro teatro Y la vida pasa en tres por cuatro
9.
Visez d'abord l'autre personne. Écartez les bras 180. Choisissez votre coté pile ou face -c'est mieux si on ne pense à rien-. Enlèvez maintenant l'air qui sépare votre corps du corps de votre cible Serrez les bras. C'est pas pénible. Faites jouer vos mains. Pour vous en défaire, faites juste marche arrière. Reprenez normalement votre vie. Ne reprimez pas les frissons que, parfois, s'en suivent. Puis, s'il vous plaît, remplissez le questionnaire satisfaction. N'ayez pas peur d'être le seul con. Parfois, risquer, ça fait pas de mal. Ignorez l'excuse qui vous taraude d'invahir un espace vital. C'est pas nécessaire d'être marriés ni d'être amis "sous serment de sang". Allez-y! Tentez votre chance. Ici, là, maintenant! (par contre...) Le produit est cher -mais c'est l'coeur qui paie- et puis les effects sécondaires pouvant entraîner: chair de poule, sueurs étrangeres, fièvres ephémères et con- tractures au niveux des épaules. Si jamais vous n'êtes pas satisfait le produit n'est pas remboursable c'est parfois le prix d'investir dans des trucs "touchables" dans des affaires simples dans le bonheur qui dépend d'une étreinte.
10.
Soyons fous, Like you’re let out of the zoo As if you just came unscrewed Ooh ooh… soyons fous. Soyons fous, Like it’s all out of the blue Like it’s only you to outdo Ooh ooh… soyons fous. Going crazy to the point you can’t remember Your daily piece of shitty pie Goin’ so mad that every time you may surrender You know it’s gonna be just fine Soyons fous, Like getting a new tattoo Like start believing voodoo Ooh ooh… soyons fous. Going crazy to the point you can’t remember Your daily piece of shitty pie Goin’ so mad that every time you may surrender You know it’s gonna be just fine Soyons fous, Like wearing clothes you outgrew (as long as you follow through) Ooh ooh… soyons fous. Soyons fous, Like take a crazy world view As far as you can pursue Ooh ooh… soyons fous. Soyons fous, Like you’re let out of the zoo As if you just came unscrewed Ooh ooh… soyons fous.
11.
Leben 02:29
12.
We travel slow A trip takes a whole life time when one knows how to make this pleasure last. How to miss the bus. Cause there is no time to waste. Like snails we hit the road slow, slow but straight. As there is too much to see. Don´t be fooled by speed. In the end we're kids, inside. The very first excitement on a bike is still at our fingertips. As we're kids, aren't we? Aren't we? We travel slow A trip takes a whole life time, when one knows That there’s no such thing as race If you book one-way. Life’s today… Pack up, move on. Pay taxes in a country that you barely know. Bakers, postmen, all these folks will be your friends and smoke pipe dreams and be slow, so much that you don't miss a taste, a sight, a sound, a touch. Nor the smell of cooking slow. Bread, wine, cheese and such were not made for rush! We're kids, inside. The very first excitement on a bike is still at our fingertips. As we're kids, aren't we? Aren't we… ?
13.
...cause I'm Kali, the Dark Mother. Let me do my song for you: For I am the Queen without a country. I am the light that's lost the way. I am the wandering soul to nowhere. I am the road that never ends I am a hill that keeps on climbing. I am that killer on the road. I am the worm in the apple of your eyeball. I am glee, contempt and scorn. And I feed glue to the horses of desire. And I steal eggs from the early morning swan. And I sink ships into the river of your bloodstream. And I cut off the hands of your tabla-playing new born child still silent and blue. I cling to you. I hold on to your pain. I feed on your flesh and I fed on your mummy too and I eat you father's grave. And I'll erase every single last word that did have meaning. For I, I am Kali. The Dark Mother. And I feed glue to the horses of desire. And I steal eggs from the early morning swan. And I sink ships into the river of your bloodstream. Cause I am Kali.
14.
Maybe one day, but all these places are just passing me by I stumble right in and my feet don't stay there long Maybe one day I'll find a place to settle down But until then I'll keep on wandering Maybe one day, but time keeps drifting and no one takes pause I don't know why they don't ask, everyone stays in their place. Maybe one day I'll be the one to change But until then I'll keep on wandering I'm waiting for the stars to come out tonight But I don't know if I can wait that long And my eyes once opened wide are now tired and searching Going again, looking for something new Maybe one day, but right now there are still adventures to be had There will be plenty of time for sitting still in one place. Maybe one day I'll be the one to wait I'm waiting for the stars to come out tonight But I don't know if I can wait that long And my eyes once opened wide are now tired and searching So here it goes again, looking for something new Maybe one day, but all these places are just passing me by I stumble right in and my feet don't stay there long Maybe one day I'll stop and settle down But until then I'll keep on wandering
15.

about

Music by Niño Crudo
except 'Kali's song' (Iwan Kushka)

Lyrics by Niño Crudo
except: 'I'll still rise' (Maya Angelou, adapted by NC), 'Pull you out alive' (Tyler Potts-Cornfield), 'Nel blu' (Davide Ariasso), 'La juerza d'un queré' (Luís Chamizo), 'Soyons fous' (Hugh McDonalds & NC), 'Kali's song' (Iwan Kushka) and 'Maybe one day' (Beth Fouracre).

Produced, arranged and recorded by NC between Summer 2013 and Summer 2017 in Bristol,
with additional recordings in London and Paris.

Gene García vocals recorded by David Capellán in Silence Studios, Badajoz.
Leo Sarria vocals recorded by Jorge "Kiny" Murillo in Estudios La Tropa, Cali.
Rui Díaz vocals recorded by Chloé Bird in Cáceres.

Mixed by NC
with the support of Nathan Raphael and Colin Grainge.

'Pull you out alive' mixed by Fernando Costello in Mexico DF
'Slow travelers' mixed by Xisco Vic in Lloret, Mallorca.

Mastered by Shawn Joseph in Optimum Studios, Bristol.

Artwork & Video:
Photo cover: David Barrena
Photo back: Cassy Olszewski
Drawing CD: Rafa Belmonte
Videos: Daymotif, Jordi Pol and Iván Garbayo
Videos crowdfunding: Natalia y Montse Casasola;
Mónica Seller, Elena and Marina Escudier

credits

released August 8, 2017

Niño Crudo: Pianos; acoustic, electric, classical and 12-string guitars; electric bass; musical saw; toy piano; blues and tremolo harmonicas; organ; backing vocals; shakers, triangle, claves and other small percussion.

Lead singers:

Marie Lister | Bristol, UK (1), backing vocals in (3)
Wes Leslie | San Francisco, CA, USA (2)
Leo Sarria | Cali, Colombia (3)
Davide Ariasso | Bristol, Italy (4)
Rui Díaz | Badajoz, Spain (6)
Lady Nade | Bristol, UK (7)
Enzo Palazzoni | Bristol, Italy (8)
Catherine Deas | Paris, France (9)
Gene García | Badajoz, Spain (10)
Mark Walsh | Uley, UK (12)
Iwan Kushka | Totnes, Belgium, UK (13)
Beth Fouracre | Bristol, UK (14)

Keys

Jim Blomfield | Bristol, UK (Piano in 1, 2, 12)
Eli Mine | New York, Serbia (Bandoneón in 8, 15)

Guitars

Manuel Velardo | Badajoz, Spain (Electric in 2)
Cuffy | Bristol, Scotland (Flamenco in 3)
Matt Ozzy | Canada, Romania (Electric in 6)
Will Owen | Totnes, UK (Classical in 13)
Mark Strange | Bristol, UK (Electric in 14)

Basses:

Joe Evans | Bristol, UK (Double bass in 1, 5, 7, 9, 12, 13)
Rick Cooper | Bristol, UK (Electric bass in 14)

Drums:

Joantoni Seguí | London, Mallorca (1, 2, 4, 9, 12)
Chris Langton | Bristol, UK (5, 6, 7, 8)
Nico Bonneyrat | Paris, France (10)
Dan Brett | Bristol, UK (14)

Percussions:

Lisa Cherian | Bristol, UK (Congas in 1, 2, 9, 12)
David Insua-Cao | Bristol, UK (Congas, maracas & shaker in 3; Pandeiro & Tang tang in 11; Tabla, Bones and Washboard tie in 13.
Héctor García Cepeda | México DF (Bongos in 3)
Chris Thomas | Bristol, UK (Maracas and woodblocks in 5; Organ in 4)

Winds:

Jenny Samson | Bristol, UK (Flute in 1, 6, 9; Backing vocals in 3, 10)
Charlie 'Hotlips' Porter | Portland, USA (Trumpet in 1, 4, 7; Flugelhorn in 7)
Simon Strange | Bristol, UK (Trombone in 4, 8, 12)
Javier Luna | Villafranca de los Barros, Spain (Sax in 4)
Dani Landau | Bristol, UK (Bass clarinet in 11)
Andrew Frappier | Vermont, USA (Baritone sax in 6)
Joe Di Fiore | Los Angeles, CA, USA (Sax in 14)
Ilia Skibinsky | Moscow, Russia (Sax in 10)
Larry Birdsong | Kentucky, USA (Tuba in 8)

Strings:

Annalise Lam | Bristol, UK (Violin in 6, 8, 11, 13)
Anna Kissel | Bristol, UK (Violin in 3, 15)
Ivette Gómez | Maracaibo, Venezuela (Viola in 15)
Freya Smith | Bristol, UK (Cello in 15)

Backing vocals:

Chloé Bird | Cáceres, Spain (3)
Cassy Olszewski | Bristol, UK (6)
The Fantasy Orchestra Choir | Bristol, UK (6):
George Lowe (Conductor); Camille Hesse, Konstantina Sokolakc, Sue Sanctuary, Nicola Gravestrick (Sopranos); Ruth Coleman, Ellen Quinn, Em Broughton (Altos); JP Wolfgang, Rich Green (Tenors); Richard Vernon, Jack Vernon (Baritones).
Morris Revy | Lagos, Nigeria (10)
Dee Dean | Bristol, UK (10)

Samples:

Michel Polnareff speech in 'Cirque d'hiver'
Monica Vitti speech in 'Nel blu'

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Some rights reserved. Please refer to individual track pages for license info.

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Niño Crudo Bristol, UK

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ninocrudo@hotmail.com

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